大虾（刘青云 饰）替名震江湖的老大唐俊（郑伊健 饰）办事，帮他杀死了叛徒黑牛，很受俊的赏识。大虾一怒之下杀了奸夫，俊为他多方奔走才使他脱罪，自此两人成了莫逆。岂料俊遭到他的亲大哥威陷害运毒，被警方通缉，无奈只好潜回大陆避难。俊的女友辣椒（邱淑贞 饰）前往找威报仇，失手被擒后惨遭摧残。　　两年后，俊重回香港，俊发现大虾已经成为威身边的大红人，只是大虾还不知道当日陷害俊的就是威。俊万念俱灰，想就此退隐江湖。大虾在得悉威就是当日的幕后黑手时，发誓要帮俊报仇雪恨！

　　明朝万历年间，魏忠贤虽出身贫寒，但又嗜赌成性，为了赌博典妻弃子，在赌场杀人逃亡，后净身投靠皇宫，巧遇旧时情人，已贵为皇太子奶妈的客印月，俩人狼狈为奸，一路发迹。但魏忠贤绝对想不到自己遗弃在糕团店内的儿子居然是颗福星，出生时被当作面粉娃娃上笼蒸煮竟大难不电视剧《三揭皇榜》死，其后果然后福无边。付应星生来人如“糕团”，面善心软，嫉恶如仇，但偏偏是个多事之人，误打误撞中竟三揭黄榜：一揭求雨；二揭为国家重臣治病；三揭去边关和满洲人谈判。几回磨难幸得胥丽娘搭救才脱离险境。胥丽娘亦绝非普通女子，乃当朝重臣熊将军之女。只叹因魏忠贤迫害遭满门抄斩。丽娘从法场逃脱时受了重创，为好心的付氏母子收留疗伤。 　　付应星实在是个多福之人，无论在哪儿都有红颜知己一路相随。杭州知府周大人的千金周云裳对应星可谓用情至深，立誓“非君不嫁”！可惜妾有情、郎无意，一段苦恋只得无疾而终。同时，应星苦苦追求胥丽娘，又屡屡碰壁。无望之时，巧遇胥丽娘的丫环查姜女，俩人似一对冤家，吵吵闹闹中应星渐渐对其产生好感，随后便展开猛烈攻势，闹出不少笑话。但查姜女对丽娘的表哥酸秀才倾情已久，而酸秀才又对表妹丽娘痴心一片，绞尽脑汁要赢得美人心，可丽娘冰冷外表下那颗火热的心已托付给了有“傻福”的应星，真叫个啼笑因缘，原本就紧张刺激的日子中加入了这剪不断、理还乱的四角恋显得愈发妙趣横生。 　　又说那熹宗皇帝虽贵为皇帝，形同虚设，大权实为魏忠贤及其东长党羽所握。熹宗与应星十分投缘，倍加赏识，为其加封进爵，宠爱有加。也正因如此，魏忠贤视这个几番与自己电视剧《三揭皇榜》做对，不识抬举的糕团点小老板为眼中钉，欲除之而后快。但在一次偶然的机会中得知这个“肉中刺”竟 是他的亲生骨肉！对于已经成为宦官的他来说简直是天大的喜事，自己也终于有了子嗣传人。碍于明朝制度，面对亲生骨肉却不得相认，魏忠贤只能明的暗的帮助付应星，频频在各种场合为他说好话，撑台面，想尽办法让“儿子”有愿必达，对他的态度也由杀之而后快转为了“护子留根”。但无论魏忠贤多么用心良苦，在毫不知情的应星眼里，这就是个杀人不眨眼、心狠手辣的东厂大魔头，故而对他充满了敌意。这一对父子就在机缘巧合下成了一对说不清、道不明的宿敌。 　　宫围倾轧，权利之争加之宦官当道，佞臣做乱，使得朝廷动荡不安，皇宫也成了阴谋家的战场。时日无多的熹宗对应星寄以重望，命其找到信王朱由俭继位。这一路，更是凶险莫测，傅应星和他的三位挚友将再一次和阴险狡诈的魏忠贤斗智斗勇，前途难料，剧情更为扑溯迷离。

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

德云社德云六队小园子天桥站演出爆笑来袭！表演节目精彩纷呈，其中包括王洋、赵鹏表演的《报菜名》；张霄雷、常霄鲲表演的《学方言》；李筱奎、梅九亮表演的《写对子》；李九重、李九江表演的《羊上树》；关九海、张霄白表演的《酒论》；张九南、高九成表演的《绕口令》；张鹤伦、郎鹤炎表演的《捉放曹》。精彩内容不容错过。

　　故事中这位嘴中叼着雪茄的欧吉桑，为了对抗暗黑神阿利曼，在光明神阿弗拉的指引下必须寻找5位宿命中人，只有集齐6人之力才能对抗宿敌“水晶男孩”。

  聚集了法国单口喜剧界顶尖的喜剧演员，将幽默短剧和妙语连珠的单口喜剧现场结合在一起，带领我们探索疫情期间的生活。

网络新锐作家苏菲的男友不幸遇害后，她独自来到了一个非常冷清的地方。她在这里，不仅没有享受到片刻的安宁，反而掉进了凶手精心设置的陷阱里，在一张离奇又诡异的迷情之网中苦苦挣扎。对方步步为营，引她主动上门，一番欢爱后，一段尘封的往事骇然浮出水面。而这背后，竟然是一个少年令人心碎的悲情故事。

　　The film starts with a masked killer entering an apartment and murdering a young couple, Krish and Shruti one cold, rainy night in Coimbatore. Five years later, Deepak, the retired police inspector who lost his leg while investigating the case, receives a call from a friend. The friend's son is adamant on becoming a police officer. So, the friend sends his son to Deepak so Deepak can brainwash him into not joining the force since his parents feels it is too dangerous. When the son arrives, he asks Deepak to tell him how he became crippled. Deepak begins to narrate his story of the final case that robbed him of the job he loved.

　　影片开始讲述了一位性格朴实的小伙儿在失恋后，对另一女生一见倾心的故事，可接下来，故事的发展分出多条主线，层层深入，逐渐挖掘出一场令人啼笑皆非，又错综复杂的诈骗案来。小伙儿身边的每一个人都与“赃款”有着千丝万缕的关系，但小伙儿却丝毫不知，而就在失主——某公司酷爱“炫富”的老板追捕被骗走的“赃款”途中，发生了一系列不可思议又让人啼笑皆非的故事。让观众原本以为是一部爱情故事时，逐渐发现电影其实为大家展现了一件令人深思的故事。整场电影，令观影者在笑声中思考人性……

　　繁华的街道，穿梭的人群，只有在夜晚才能慢下来。我叫做灿，是一家酒吧的老板，这里也是我的家。在这里我遇到了形形色色的人，听到了许许多多的故事，很多人问我为什么这么沉默，因为我喜欢聆听。每个人都有属于自己的故事，就像水一样，里面有我最珍贵的回忆，如果能做到的话，什么酒都愿意为您调。喝的不是味道，而是喜、怒、忧、思、悲、恐、惊。